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Shigé Clark Writing

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God Poetry

“What is this storm cloud?” he asked,
“why does it all seem
overcast?” and how do I explain that
seven years ago, a boy died, and a giant,
bloody chunk of me
went with him. And when
Ahmaud Arbery was gunned down in the street
last year, I saw his face and felt it
all again. Ragtime plays
in the shuffle, and I hear its echoes
yelling that we haven’t budged since then,
and ask myself—if Breonna Taylor had been
my friend, would I settle
for budging? The judging comes
too slow. And corpses pile up
like fall leaves on a poison wind
because of people braying over a cloth mask,
and am I expected to laugh?
To let it all pass by me
like a vapor—like I am not
still flesh, and blood, and anger?
With children packed
into cages and airplanes, and frightened
men dying under runway wheels—to make no mention
of finding plastic in new rain
and newborn veins, until
every birth feels like a bated death?

We learned well—the first thing you do
when taking fire is find
cover and concealment—then
fire back. Don’t lift your head
too high, don’t drop your guard until
the threat is dead. Should I instead dance
in this hailstorm of lead?
A cup of tea while we wait
for the volley to abate? Isn’t this rather where
we dig trenches, and hold the line?
Should I say that I’m fine, like people aren’t dying
for the greed of us?
For the need of just
a sliver of humanity—but
vanity, vanity, all is dust, and I’m
tired of breathing it in. It’s been
the dark before the dawn
for far too long. Too much
waiting for a new song to begin, like
the whole record hasn’t come unhinged—and I
keep rising like the tides
are changing, just to be
bowled over by the waves again,
like all these crying souls aren’t chained
into my skin, weighing
me into the deep. Like there haven’t been
too many funerals. Like my own
sinew and bone haven’t long since turned
against me.

I believe joy
will return. I believe in more
than what I feel. But for now,
is it not enough to stand as hollow steel
and let the dust winds blow
through your limbs, and whistle low
their dirges through you? Is it sin
to let it all undo you? Even
Christ himself was pierced through,
and laid to rest. Did he not also grieve though he knew
resurrection was coming? And before he was raised,
did he not first take his time in the grave?

I will not come away, but let me be
the broken clay of earth
that I am. The war is real,
and for the love of Love, a wound has to close
before it can heal.

The Last Two Coins

May be a black-and-white image of text that says 'You get it all. However small, I'm emptying the stores. The hope. The care. What wealth is there, the last two coins are Yours.'

I need you
to know, if this were
all, it would not only be
enough, but more
than I ever conceived – ever dared
in hoping for.
What a way to live – aflame
with trees, and sky, and sense, and
words like grain
pushing through the hard-packed earth.
Is it possible
to be so full
and not to burst?

That is why you must
know that this piece was enough
to bear the whole. A gasping at the brink
of tide. If this relief
is all you should provide, and even if
my lungs should shrivel in the sinking
now, it is well
received. Goodness is
carried far as grief. Our lighter
gift, too oft dimmed beneath
that oily blanket – but it
burns. It burns the longer,
through the age of man
and yonder. All else is
concealment, that lights at last
on the eternal flame.

I mean to say –

this one spark
proves all
enough
to burn
the dark
away.

Living Gray

Some Gray Lives

Shards of Stained Glass

Shards of Stained Glass

Rechristening

Shape the Earth

Advent

Advent

So Far, Yet Still

So Far

The Well

The Well

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